Fifteen years into his Papacy, and on the eve of the third millennium, Pope John Paul II goes to the heart of his personal beliefs and speaks with passion about the existence of God; about pain, suffering, and evil; about "salvation"; and about the relationship of Catholicism to other branches of the Christian faith. With the humility and generosity of spirit for which he is we...(展开全部)

Fifteen years into his Papacy, and on the eve of the third millennium, Pope John Paul II goes to the heart of his personal beliefs and speaks with passion about the existence of God; about pain, suffering, and evil; about "salvation"; and about the relationship of Catholicism to other branches of the Christian faith. With the humility and generosity of spirit for which he is we...(展开全部)

Fifteen years into his Papacy, and on the eve of the third millennium, Pope John Paul II goes to the heart of his personal beliefs and speaks with passion about the existence of God; about pain, suffering, and evil; about "salvation"; and about the relationship of Catholicism to other branches of the Christian faith. With the humility and generosity of spirit for which he is we...(展开全部)

Fifteen years into his Papacy, and on the eve of the third millennium, Pope John Paul II goes to the heart of his personal beliefs and speaks with passion about the existence of God; about pain, suffering, and evil; about "salvation"; and about the relationship of Catholicism to other branches of the Christian faith. With the humility and generosity of spirit for which he is we...(展开全部)

Painting, according to Jean-Luc Marion, is a central topic of concern for philosophy, particularly phenomenology. For the question of painting is, at its heart, a question of visibility--of appearance. As such, the painting is a privileged case of the phenomenon; the painting becomes an index for investigating the conditions of appearance--or what Marion describes as "phenomena...(展开全部)

Painting, according to Jean-Luc Marion, is a central topic of concern for philosophy, particularly phenomenology. For the question of painting is, at its heart, a question of visibility--of appearance. As such, the painting is a privileged case of the phenomenon; the painting becomes an index for investigating the conditions of appearance--or what Marion describes as "phenomena...(展开全部)

This is Volume Two of the "Border Trilogy". '"The Crossing", together with its predecessor "All the Pretty Horses", towers over most contemporary fiction. An American epic infused with a grand solemnity' - "Sunday Times". Set on the south-western ranches in the years before the Second World War, "The Crossing" follows the fortunes of sixteen-year-old Billy and his younger broth...(展开全部)

In The Crossing , Cormac McCarthy fulfills the promise of All the Pretty Horses and at the same time give us a work that is darker and more visionary, a novel with the unstoppable momentum of a classic western and the elegaic power of a lost American myth. In the late 1930s, sixteen-year-old Billy Parham captures a she-wolf that has been marauding his family's ranch. But i...(展开全部)

Agamben’s thought has been viewed as descending primarily from the work of Heidegger, Benjamin, and, more recently, Foucault. This book complicates and expands that constellation by showing how throughout his career Agamben has consistently and closely engaged (critically, sympathetically, polemically, and often implicitly) the work of Derrida as his chief contemporary interloc...(展开全部)